1 CD
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€ 19.95
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Label Challenge Records |
UPC 0608917355222 |
Catalogue number CR 73552 |
Release date 07 October 2022 |
"... There's no sign of gray, however, in the luminous and vibrant songs that come primarily from Mendes' last album, "Close To Me" ..."
Jazzthing, 25-10-2022From her native Portugal to her adopted home in the Netherlands, Grammy and Latin Grammy-nominated vocalist and composer Maria Mendes has traveled a world of musical expression. Hailed by DownBeat magazine as “a jazz singer of the highest order,” Mendes’ praises have been sung by such legends as Quincy Jones and Hermeto Pascoal. On her third release, Close To Me (Justin Time), Mendes fuses jazz and Fado in collaboration with Grammy winners John Beasley and the Metropole Orkest. The vocalist has released three striking solo albums and thrilled audiences around the world, including performances at the Blue Note Jazz Club in NYC, North Sea and Montreux Jazz festivals. Mendes brings vibrant passion to every performance, whether in an intimate club or backed by orchestras and big bands. Her wealth of influences and experiences help make up what Exclusive magazine called “one of the most engaging, enchanting vocal approaches…that exists today.”
Close To Me got awarded with the 2020 EDISON® music prize for Best Jazz Vocal Album (equivalent to the Grammy, this is the most important Dutch music award).
Born in Louisiana, Beasley started writing arrangements in junior high school, which sparked the attention of Jimmy Lyons—the founder of the Monterey Jazz Festival—who recommended him for a scholarship at the Stan Kenton summer jazz camp. The pianist cut his teeth with Miles Davis and Freddie Hubbard in the 1980s and has since performed and recorded with a who’s who of artists including James Brown, Marcus Miller, Chaka Khan, Christian McBride, Steely Dan, Dianne Reeves, Sergio Mendes, Carly Simon, John Patitucci, Al Jarreau, Kelly Clarkson, George Duke, John Legend, Chick Corea, Destiny’s Child and Queen Latifah, among others.
Living in Hollywood, Beasley juggled a touring musician’s schedule while working in studios composing for award- winning television sitcoms and commercials including Cheers, Family Ties, Star Trek and Fame, to name a few. He has worked with multiple Oscar-nominated film composer Thomas Newman for three decades on credits including James Bond Spectre and Skyfall, Get On Up: James Brown, The Best Exotic Marigold Hotel I & II, Finding Nemo & Finding Dory, Wall- E, Shawshank Redemption and more.
While touring with Miles Davis, Beasley was inspired to make his first of eleven recordings, Cauldron—which was produced by Walter Becker of Steely Dan-and went on to earn a GRAMMY® Award-nomination for his 2011 release Positootly!. He has since served as musical director for the Monk Institute’s gala concerts since 2011, guiding legends and the next generation of jazz greats through all-star tributes to Quincy Jones, Bill Clinton, George Duke and Aretha Franklin. He has also served this role for International Jazz Day since 2012, notably at the White House’s 2016 blowout bash. Under the global eye, he seamlessly shaped the televised concert featuring Aretha Franklin, Wayne Shorter, Joey Alexander and Sting through a night of swing and celebration. Since 2005, Beasley has worked as Lead Arranger for American Idol until its final season in 2016, and ushered the twelve female finalists of 2005 (including Carrie Underwood) by coaching and rehearsing them as well as selecting and arranging songs.
Dutch double bassist, composer and producer Jasper Somsen (1973) graduated in both Jazz and Classical double bass. He is an open minded versatile musician. Best known as a Jazz musician his field of interest and expertise also includes cross overs to classical, pop, world and film music and theater productions.
Jasper has collaborated with some of the very best musicians on the international jazz scene including Peter Erskine, Enrico Pieranunzi, Joey Calderazzo, Jeff Ballard, John Beasley, Jean-Michel Pilc, Eric Marienthal, Bob Sheppard, Seamus Blake, Jorge Rossy, Kendrick Scott, Justin Faulkner, André Ceccarelli, Gary Husband, Gabriele Mirabassi and Paolo Fresu.
Besides a performer and composer, Jasper Somsen is a Challenge Records artist and a renowned studio producer. Jasper performs world wide and can be heard on more than 45 albums, video and film music scores. Outside a busy playing and studio producing schedule he is an educator at the ArtEZ University of the Arts, Arnhem (NL) and the general director of the foundation Cultural City of Wageningen, in his hometown.
From her native Portugal to her adopted home in the Netherlands, Grammy and Latin Grammy-nominated vocalist and composer Maria Mendes has traveled a world of musical expression. Hailed by DownBeat magazine as “a jazz singer of the highest order,” Mendes’ praises have been sung by such legends as Quincy Jones and Hermeto Pascoal. On her third release, Close To Me (Justin Time), Mendes fuses jazz and Fado in collaboration with Grammy winners John Beasley and the Metropole Orkest. The vocalist has released three striking solo albums and thrilled audiences around the world, including performances at the Blue Note Jazz Club in NYC, North Sea and Montreux Jazz festivals. Mendes brings vibrant passion to every performance, whether in an intimate club or backed by orchestras and big bands. Her wealth of influences and experiences help make up what Exclusive magazine called “one of the most engaging, enchanting vocal approaches…that exists today.”
Close To Me got awarded with the 2020 EDISON® music prize for Best Jazz Vocal Album (equivalent to the Grammy, this is the most important Dutch music award).
... There's no sign of gray, however, in the luminous and vibrant songs that come primarily from Mendes' last album, "Close To Me" ...
Jazzthing, 25-10-2022
... A melange that is fascinating, because it transports the fados sung in the original mostly by fado queen Amália Rodrigues into the now and today, takes away the very big drama, but not the emotions, and transforms them into swinging, but also forward pushing and improvised moments, into soulful, but also sometimes a little biting orchestrated jazz pieces...
nrwjazznet, 11-10-2022
... the Grammy and Latin Grammy nominated Portuguese sings, scats and phrases great. And that alone makes this unusual idea with the fado and jazz an all-around success.
virginjazzface, 11-10-2022
... Together with the 30-piece Metropole Orkest under direction of John Beasley combined the Portuguese Fado with symphonic symphonic jazz and the folk music of her of her homeland. An experience!
Inmusic, 01-12-2022
This music is rich, spiritual and magic. You hear love, you hear passion.
Jazzism, 01-12-2022
The live-atomsphere makes this album special...
Jazzism, 01-12-2022
... ... And Maria herself often enough uses her clear and of melodic turns filled voice as an instrument and scatted wordlessly and expressively.
Musikansich, 25-11-2022
Maria Mendes swirlingly evokes the spirit of fado in 'Saudade, Coulor of Love' with her own adventurous soul and expression to a contemporary dimension with a blend of improvisation as a stepping stone to jazz with an excellent rhythm section and an excellent Metropole Orkest inspired by John Beasley.
Jazzhalo, 22-11-2022
...you don't have to be a fan of fado nor a diehard fan of jazz to embrace this album...
Rootstime, 22-11-2022
As most readers of my reviews know I am generally not that enthusiastic about vocal jazz, however there are always exceptions, first of all this is not pure jazz, it is fado, the Portuguese “blues” but here in a whole new way dressed by the accompaniment of the fabulous Metropole Orkest and secondly, this is a singer whose voice will leave no one unmoved, as clear and pure and as full of conviction as I have rarely heard.
rootstime, 01-11-2022
... Colors and moods of the orchestra support the combination of sentiment and expression, while her combo provides the necessary portion of jazz.
nadann, 26-10-2022
... Impressively atmospheric, with excellent soloists, among them Maria Mendes herself.
Concerto, 12-10-2022
... All the more I recommend this unique musical material, on which Maria Mendes adds vocals in her own way and John Beasley has created a unique arranged background.
jazzfun, 10-10-2022
... Her recording moves somewhere between jazz and fado. In doing so, Maria Mendes takes every opportunity to present all facets of her voice.
Fono Forum, 04-10-2022
... Suddenly, however, the opener "Com Que Voz" transforms. Maria Mendes and the orchestra under the direction of John Beasley strip off their smoothly ironed outfit and drift into a whirlpool full of piano clusters and clarinet scales...
Jazzthing, 23-8-2022
... Her recording moves somewhere between jazz and fado. In doing so, Maria Mendes takes every opportunity to present all facets of her voice.
Stereo